Born in Varese IT, in 1993

Teresa lives and works as a transversal artist in Italy. The focus of her formal research is the corporality and the enviroment, as reciprocal exchange of informations.

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Generally speaking a Manifesto is a print of various dimentions, that use to be affixed in public space in order to draw attention to issues of common interest. It aims to point out something that was hidden, silent or forgotten.

Non aspettare: osserva ogni giorno, 2019, manifesto on metal slub, 70x100, 2 pieces, Arona, Italy.

Créolité, or "creoleness", is a neologism which attempts to describe the cultural and linguistic heterogeneity of the Antilles and, more specifically, of the French Caribbean. "Creoleness" may also refer to the scientifically meaningful characteristics of Creole languages, the subject of study in creolistics.

Ultimately Creoleness is a celebration of diversity and a negation of what it sees as false universality.
Traffic Festival, second edition, 2019.

Traffic, festival delle anime gentili is a young contemporary art festival; it comes from the director and curator’s desire of collaboration between the artistic process and the territory.

Pietro Ballero and Teresa Satta, Ciao, siamo umani strani, 2019, site specific temporary installation, ink on textile, various size, San Lorenzo in campo, Italy.

Just a dance of sensuality can give birth to a community.1

1.   Survivance des lucioles, Georges Didi-Huberman,  Les Éditions de Minuit, Paris, 2009. 

As a dance of fireflies, 2019, video trilogy, 12,38 min.
As a dance of fireflies

1. Né stranieri nè ospiti
2. Te mando un fuerte abrazo
3. Il falò di Sant’Antonio

Engramma n°156
Il 68 che verrà

Senza titolo, manifesto, 2018, ebroidery on fabric, 150x200, Venice.

Donde empieza un laberinto, 2017, temporary installation, textile and natural elements,  Bogotà, Colombia.

The proper creation of a magical universe.
Yo era tu y nunca lo supe, references:

Anzaldúa Gloria, La conciencia de la mestiza, Towards a New Consciousness, in: Borderlands/La Frontera. The New Mestiza, Aunt Lute Books, 1987.
Butler Judith, Actos performativos y constitución del género: un ensayo sobre fenomenología y teoría feminista, in: Debate feminista Vol 18, Editorial, 1998.
Bovio Arturo, Crítica de la corporeidad Latinoamericana, in Las fronteras del cuerpo, crítica de la corporeidad, Ediciones Abya Yalá, Universidad Autónoma de la Ciudad de México, 1998.
Mcdowell Linda, Dentro y fuera de lugar, El cuerpo y corporeidad, in: Género identidad y lugar, un estudio de las geografías feministas, Cátedra, Madrid, 2000.

Yo era tu y nunca lo supe, 2017, book, Bogotà, Colombia.

Felice cade, 2017, video documentary, Varese, Italy.

Mementos, 2015, ink on handmade paper, Dreden, Germany.

Into the flesh, 2014, book, ink on handmade paper, Milan, Italy.